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Confetti cannon hire — Chauvet DJ Funfetti Shot
For the last eight bars. A confetti launcher that fires from the lighting desk, so the moment lands exactly where the music says it should rather than a beat late.
There is a particular sound an audience makes when confetti goes up at the right moment, and it is worth the hire on its own.
The launcher is triggered from the lighting desk, which matters more than it sounds. Confetti fired by hand is always slightly late, because whoever is holding it is watching the stage rather than counting. On a cue, it goes on the beat.
It covers a stage-width area from a single position, and it can be reloaded between performances. We supply the confetti, and we will ask what colours you want and whether the venue has a preference — some halls ask for a particular type because of what it does to the floor.
Worth asking early: check with the venue about clean-up. Most are fine about it; a few are not, and it is better to know in the planning meeting than on the day.
What you get
Good for
What you need to know
- Firing it
- From the lighting desk, on a cue. Far better than someone in the wings trying to judge the moment.
- Coverage
- Roughly a stage-width burst from one position. For a wider stage, two work better than one.
- Confetti
- Supplied. Say how many performances and which colours, and we will send enough with spares.
- Clean-up
- Ask the venue first. Most are relaxed about it, some are not, and it is much easier to find out in advance.
- Power
- One ordinary 13A socket.
Rates are per day and exclude VAT. A longer hire costs less per day — tell us your dates and we will price the period exactly. Ask us about delivery and hiring with a technician.
Check availability
See whether this is free for your dates. This is an indication from our current bookings, not a reservation.
Alternatives
Handheld confetti cannons — single-shot tubes fired by hand — no desk, no cabling, and the cast can fire them on stage.
Full technical specification (15)
| Propellant | Electric fan launch — no CO2 or compressed gas needed |
|---|---|
| Confetti capacity | 0.25kg of standard or UV confetti; 0.45kg of mirror confetti |
| Launch duration | Up to 25 seconds continuous |
| Throw distance | Up to 9m |
| Coverage | Up to 50 square metres |
| Control | On-board display, wireless remote (included), or DMX |
| DMX channels | 1 (fire on/off) |
| DMX connectors | 3-pin XLR in and out |
| Wireless remote range | Up to 30m |
| Mounting | Double-bracketed yoke: floor standing, or rigged with a safety bond |
| Power supply | 230V, 50Hz |
| Power draw | 1430W |
| Environment | IP20 — indoor use only, ambient up to 40°C |
| Dimensions | 284 x 228 x 553mm (L x W x H) |
| Weight | 6.2kg |
Common questions
-
Yes, that is the point of it. It runs from the lighting desk, so it goes on the beat rather than whenever the person holding it decides.
-
About a stage width from a single position. On a wide stage, two units either side look considerably better than one in the middle.
-
You, or the venue, depending on your arrangement with them. Ask before you book it — most halls are fine, but a few have rules about it and you would rather know early.
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Talk to us
Tell us the venue, the dates and what the show needs, and we will confirm availability.
Call 0333 404 0621, email [email protected], or send us the details of your production.
Related: Theatre production · Dance shows